10 Tips For Making Collaborative Leadership Work

Collaborative Leadership

“Collaborative leadership needs people who can be open, flexible and responsive.”

For the last four years, Cornwall Museums Partnership (CMP) has been helping museums across the county become more open and connected to the people they serve. We set out with a clear aim to effect some fundamental changes by creating a collaborative culture within our own charity and across the museum sector in Cornwall. As an infrastructure charity that doesn’t run or own any museums, influencing ‘beyond authority’ is core to our approach. We believe that the power lies in the team.

Emmie Kell, CEO of Cornwall Museums Partnership, has recently written an article sharing ten things she learned about creating a collaborative culture over the last few years.

 

Read: Collaborative Leadership

 

Emmie Kell

Author – Emmie Kell

Published – Arts Professional 12/09/2019

Cultural Democracy and Cultural Rights in Cornwall

What are our museums doing to respond to calls for greater cultural democracy and cultural rights in Cornwall? One of our major cultural democracy programmes is Citizen Curators. In partnership with the Curatorial Research Centre and funded by the Museums Association’s Esmée Fairbairn Collections Fund, the programme has two clear aims.

The first, to begin to democratise our museum collections by narrowing the gap between Cornish collections and communities; the second, to provide the start of an alternative pathway into museum work. We first piloted Citizen Curators at Royal Cornwall Museum as part of our Arts Council-supported Change Makers programme in 2017/18. Currently, seven NPO funded museums are taking part in the current three-year programme which offers 35 free places on this free curatorial training course.

Tehmina Goskar, Programme Leader, has recently written about how Citizen Curators was developed for Museum-iD magazine, and showcases some of the results and impact so far.

Read: Citizen Curators. An Experiment in Cultural Democracy.

Bright Sparks of 2018

Cornwall Museums Partnership and FEAST are challenging museums and artists to work together to generate original ideas for bringing more and different people into the museums of Cornwall to enjoy Cornwall’s unique heritage. For the third year, we are offering a joint small grants fund to enable the best ideas to be tested and delivered.

To get a better idea of the diverse range of projects that have enjoyed Bright Sparks support, here are the museums and artists who were successful last year.

Isles of Scilly Student Publication

The Islands’ Partnership worked with the Isles of Scilly Museum and the Five Islands Academy to produce a publication for visitors using selected artefacts as a starting point to explore local history.

Students visited the museum and interviewed local trustees and experts to investigate the islands’ rich heritage and changing fortunes over the past four thousand years.

The resulting guide for visiting families includes a young persons’ perspective on Scilly’s past, reflections on growing up on Cornwall’s islands and suggested activities linked to local culture and heritage.

Wish You Were Here

‘Wish You Were Here’ took as its starting point the idea of providing a winter escape for the residents of two nursing homes in Helston and the Lizard.

The Museum of Cornish Life worked with artist Susanna Webster, who brought to the project her creativity and experience working with residents in care homes, memory cafes and community settings in Cornwall. Together they designed a series of virtual visits to the museum using FaceTime. On these visits the residents were able to explore the museum and build relationships with the staff and volunteers without needing to travel.

This project allowed visitors who wouldn’t normally enjoy the museum to do so, and as a result of taking part, the nursing home residents became more comfortable using FaceTime and Skype to communicate with their own families. The museum purchased an iPad which they continue to use to help visitors engage with their collection.

The Looe Diehards

This project focussed on a little-known period in Looe’s history, the establishment in 1803 of the East and West Looe Volunteer Artillery during the Napoleonic era. The project wanted to remember this difficult time when the towns were despoiled of its trade by the threat of war and how the community came together.

The Old Guildhall Museum and Gaol worked with Sue Field, a local maker, community artist, and storyteller to help bring this story to life through the interplay of puppets as exhibits and animated characters. Archive material was used to write the stories of the Looe Diehard men, exquisite puppets of Captain Thomas Bond and Fisherman volunteer Pengelly were hand crafted and the museum’s team of volunteers were trained in their operation.

Building audiences and providing engaging and meaningful interactions is essential for the future of the museum and its collections. Through projects like this, The Old Guildhall Museum and Gaol can continue to promote and engage people with their local heritage.

Redefining the Museum Label: New Voices

Falmouth Art Gallery has been working with artist Felicity Tattersall, whose drawing practice is inspired by hidden narratives in museums and archives, and Curator Charlotte Davis to deliver this exciting public engagement project.

A variety of community groups have been given the opportunity to learn about the function and use of museum labels. During these workshops they have been invited to create their own imaginative and experimental museum labels using unusual materials, creative writing, drawing and digital media. This project is about rethinking how people from the local community connect with the work that is in the Gallery.

The project will culminate in a public exhibition at Falmouth Art Gallery, a shared learning digital event and an open call for everyone to come and create their own label for a piece in the collection.

Remembering People from the Past

This is a collaborative project between Lostwithiel Museum and creative researcher Amanda Davidge, using the museum archives and collection to discover more about lives of important people from Lostwithiel’s past.

To begin with the team decided to research the fascinating life of Frances Hext (1819-1896) who had lived in the town and written a book Memorials of Lostwithiel (and of Restormell):collected and contributed. Amanda ran workshops with the museum volunteers to create assemblage memory boxes, family trees and journals to illustrate her life in a large display.

Following this, family history workshops will be offered to the wider community who wish to investigate the town’s history as well as their personal family history and create their own ‘story boxes’.

Apply Today

We are looking for genuine innovation and collaboration between the artist(s) and museum, and for ideas which would appeal to a broad range of the community. We are inviting proposals for creative projects which spark interest in what museums have to offer: we want more people interested in their heritage and more people doing or experiencing something creative.

We are offering a number of small grants of up to £2,500. The project must involve some form of tangible activity or event with which the community can get involved.

Selection of successful projects will be made by a panel of FEAST and Cornwall Museum Partnership directors and a member of each organisation’ s board or advisory group.  The deadline for applications is 27th October 2019 and decisions will be announced shortly afterwards.

To apply, please download and complete the application form below.

For more information contact celine@cornwallmuseumspartnership.org.uk  Tel: 01209500750 or  Emma Leaper feast@creativekernow.org.uk   Tel: 01209312502.

 

– Emma Leaper

FEAST Programme Administrator

Pride at The Royal Cornwall Museum

Royal Cornwall Museum at Cornwall Pride 2018

The Royal Cornwall Museum Pride Project is a rolling programme which started in 2017. It strives to uncover neglected heritage stories of LGBTQ Cornwall and is an integral platform offering queer events across the Cornish community.

Evidence of sexuality and gender fluidity have often been neglected in history. This is not through lack of evidence in which diversity existed, but representative of how political views can shape the histories being communicated. As a result, queer stories were often ‘straightened out’ or smoothed over, which meant an open discussion of sexuality in history didn’t exist.

The Museums ongoing pride project began with attending Cornwall Pride in 2017. This was followed by a year-long research project into queer history in Cornwall, culminating in a BBC Radio Cornwall series where different queer figures from Cornish history were discussed in the run up to pride 2018.

Publicising these historical queer stories from Cornish history challenges the heteronormativity of historiography, as many of the historical stories discussed in the series are well known local people who have been detached from their queer identity, such as Daphne Du Maurier. It is vital to remember the importance of championing these stories and to offer them a platform of validating Cornish history as queer history, as prejudice is still prevalent in many forms today.

LGBTQ Pride attendees with Royal Cornwall Museum

At Cornwall Pride in 2018 we took along a video recorder and asked attendees why pride in Cornwall was important to them. This contemporary collecting created a snapshot of queer identity which has now been accessioned into the Museums’ permanent collections. This was a significant step for the Royal Cornwall Museum as previously, nothing in the collection (a collection of over 500,000 objects) had been noted as LGBTQ. Despite a 200-year long presence in Cornwall, 2018 was the first time an openly queer object was accessioned.

In 2019, the Museum will be promoting gender fluidity in Cornish History where it will be exploring the stories of Gluck, Samuel Foote, Marlow Moss and many more.

Some may see the museum’s presence at Cornwall Pride as unexpected. The RCM is the first Museum of its time, in Cornwall, to attend Cornwall Pride. Statements such as ‘I did not expect the Royal Cornwall Museum to be at Pride’ and ‘I didn’t think the Museum would be the kind of place to support us’ were often heardThis is exactly the sort of appearance the RCM and historical institutions across the UK are endeavouring to break free from; the National Trust took a big step in exploring queer stories associated with their properties and the V&A have LGBTQ tours of the galleries.

Museums are not intended to be a neutral space and are there to inform and be open to interpretation, acting for and with everyone. The Museum is working hard on celebrating diversity by actively expanding the programme to become more inclusive, and by working with community groups. The Royal Cornwall Museum’s Pride project sends a message of acceptance, it allows the museum to welcome everybody and allows people to interact with their heritage in a way they possibly couldn’t or wouldn’t have before.

Pride at Royal Cornwall Museum 

This August the Museum will host a week-long pride event featuring:

  • An evening with local drag act Roxie Moron on Wednesday 17 August.
  • A talk by Dan Vo, who founded the award-winning volunteer-led LGBTQ Tours at V&A, London and developed Bridging Binaries for University of Cambridge Museums. He works with museums and galleries to shine a light on objects which explore gender and sexual identities through a queer lens.

If you would like to get involved in the Museums Pride project, please apply to be a Citizen Curator with the Museum, as part of the programme will support the Pride project.

Read more on The Hidden Histories of Cornwall’s Queer Community here!

– Sophie Meyer
Marketing and Digital Lead, Royal Cornwall Museum

Spotlight on: Nikita Brown from Wheal Martyn Clay Works

In the latest installment of our ‘Spotlight on’ blog posts, we hear from Nikita Brown, Exhibition and Engagement Officer at Wheal Martyn Clay Works near St. Austell, about the importance of accessibility in museums.

I believe that museums should act as community hubs, where all members of the community feel confident and safe to voice their opinions and take ownership of the museum and its collections. Improving accessibility is one way I can ensure that all visitors feel welcome at Wheal Martyn and have a fantastic museum experience.

So, what have we been doing at Wheal Martyn?

As Exhibition and Engagement Officer, my first priority was to improve the overall access to the museum for a general visit. Making small changes to the museum has allowed staff to work with more community groups and enhance the visitor experience for those with additional needs, whether this is creating visual stories for people with autism and anxiety, or simply changing how a gate opens to make it more wheelchair accessible.

At Wheal Martyn we have been working with partner organisations to seek expert advice and ensure our accessible information is easy to use. We are fortunate to be one of around twenty heritage destinations taking part in Heritage Ability’s, Heritage Lottery Funded project, which looks to improve accessibility and inclusivity in historical sites. Working in partnership with Heritage Ability, the museum now has a new Easy Read Guide making the site’s information easy to understand for those with learning difficulties, as well as a digital British Sign Language (BSL) tour of the site which can be viewed on YouTube or via a tablet at the museum.

I also received training from Heritage Ability on disability and deaf awareness which I have been able to replicate with other museum staff. We are fortunate to have fantastic, friendly staff at Wheal Martyn who are always willing to go above and beyond to improve visitor’s experience. The training has equipped them with relevant knowledge about how best to help all visitors, regardless of disability or need. It also highlighted the benefits of making small adaptations, such as having hearing loops, which we purchased two of to go in the reception and café.

Becoming an autism-friendly museum

I’m passionate about making attractions and historical sites more autism-friendly, so this was another one of my top priorities when I started working at Wheal Martyn. I started by creating two visual stories of the museum. Visual stories use images and words to show visitors with autism the layout of the museum and what to expect before visiting. An example being how the café can sometimes be busy and have strong smells. Visual stories are really easy to do, so I would encourage all historical sites to give it a go. Once I had finished the visual stories, I then had them checked by Spectrum, who specialise in Autistic Spectrum Disorders, to make sure they were useful for this group of people. I would really recommend seeking expert opinion where possible, as their advice was incredibly helpful and even though I was often on the right lines, it was great to get this confirmed by professionals.

With guidance from Spectrum, I created a quiet space at Wheal Martyn with comfy sofas and bean bags to allow people an area to chill out, if the museum gets too overwhelming for them. Visitors with sensory disorders can also use our sensory backpack, which includes ear defenders, fiddle toys and a sensory game. It’s great to see these bags being used around the site and we have received a lot of positive feedback from our visitors who have enjoyed using them.

A picture of Wheal Martyn's autism-friendly sensory bag.

In March 2019, Wheal Martyn held its first relaxed opening session which allows families to explore the museum at a quieter pace. Although only a few families attended the first session, the impact the session had on one of the families was huge. It gave them the confidence to return to Wheal Martyn with their extended family during the Easter holidays, giving them an opportunity to enjoy being together as a family.  The relaxed sessions take place every quarter, with our next sessions taking place on Saturday 19 October and Saturday 18 January.

Encouraging social group meetings at the museum

With help from our fantastic, committed volunteers, we have started running two new social prescribing groups held at the museum. Arts and Craft for Health which runs every Tuesday morning and a Sensory Garden group which will launch in September. Both groups aim to give those struggling with mental illness or other long term health conditions, the opportunity to develop their confidence and skills in a safe and friendly environment.

The Arts and Craft group consists of participants bringing along their own craft which they would like to work on during the sessions and they have the option of asking the coordinator for help and advice. What I have personally enjoyed witnessing is the participants sharing their craft skills with each other. I am always amazed at how caring and supportive these groups are and I have definitely learned lots of new craft skills from the participants myself!

People taking park in Wheal Martyn's Arts and Crafts for Health group activities.

We have artists regularly holding specialised workshops with the participants, so they have the opportunity to learn a new skill and explore the museum in a new way. Recently, the group has taken part in a sound workshop with artist Justin Wiggan and have even made their own bricks with the Brickfields project (a Whitegold initiative). As Wheal Martyn has an extensive brick collection, it was great to explore these stories in a new way with the participants and everyone was pleased with their brick designs.

The impact the sessions have on the participants is clear to see; confidence is growing, friendships have been formed and the group is always filled with laughter and support for each other. One of the participants who hadn’t drawn since he was at school, has enjoyed the sessions so much, that he has started up his own group on a different day. We also have a Memory Café which meets every second Monday of the month for people suffering from memory loss and their carers. The group consists of a range of informal arts, crafts and reminiscence activities, as well as a nice chat and cuppa!

Looking to the future

Wheal Martyn has a lot more planned over the next few months. Whether it is working with the Sensory Trust to create a sensory map and bespoke workshops for children with additional needs, or trialing live streaming of events to make them more accessible for those who can’t get to the museum. Perhaps the most exciting has to be the opening of our new facilities in April 2020, as part of the Clay Works project which will include a new gallery for temporary exhibitions, a new learning and activity space and a new permanent exhibition on the ‘Transport of China Clay’. The new improvements will also include a lift to access the exhibition space, meaning that more areas of Wheal Martyn will become accessible for wheelchairs.

I aim to embed accessibility in all areas of my work which includes temporary exhibitions where I try to ensure that all senses are stimulated through having a range of different interactives. I think my main learning from the last year is the importance of working with partner organisations for help and advice. Everyone I have contacted has been happy to help and are incredibly passionate about making more sites accessible. If you would like any more information about the projects mentioned above, then I am more than happy to share my learning with other museums.

– Nikita Brown
Exhibition and Engagement Officer
, Wheal Martyn Clay Works
https://www.wheal-martyn.com/

My Experiences of Firm Foundations Part Two – Elisa Harris

Firm Foundations part two started at the beautiful Tate St Ives. It was great to catch up with everyone again after a three-month gap. The lightning talks in the morning were quite different from the first time around with everyone speaking much more confidently about their projects.

The morning session was focussed on planning permission and building regulations, with a really useful workshop run by representatives from Cornwall Council in which we were able to ask direct questions e.g. What counts as a non-material amendment? and What requires a resubmission to planning? This was followed by a sneak preview of the Anna Boghiguian show with Sara Matson, Senior Curator at Tate St. Ives, which was a rather special added bonus! 

In the afternoon the course covered procurement and value engineering and the day was topped off with a delicious evening meal in the Tate’s Clore Sky studio. We were privileged to be joined by Marketing Manager Arwen Fitch and Andy Bruton who chatted with us openly about their experience of the capital redevelopment – the highs, the lows and the lessons learned.

Andy Bruton talking at the February 2019 Firm Foundations programme

Andy Bruton giving a talk at Firm Foundations

Day 2 was held at Porthmeor Studios and this is where we got into the nitty-gritty of the construction process. It has to be said that by the afternoon we were all suffering a bit from information overload and it was helpful to be reminded that we don’t have to be experts in every field, the project manager you appoint is there to guide you through the process.

The final session was led by Chris Hibbert, Manager of the Borlase Smart John Wells Trust, who managed the £4 million renovation of Porthmeor Studios. He gave an inspirational talk and a tour of the studios which a great way of demonstrating how everything we’d learnt could be put into practice.

We were all a bit sad when the course came to an end but we’ve agreed to stay in touch and will be planning a reunion at Krowji towards the end of our Phase 2 redevelopment project, which is now underway!

You can find out more about the upcoming 2019/2020 Firm Foundations programme here.

 – Elisa Harris, Krowji Studio Manager
www.krowji.org.uk

Guest Blog: Visiting Cornwall’s Museums the Green Way

For many people, working in a museum might sound like a dream job. I was one of those people (and indeed I still am), but this week I have been lucky enough to find the only job that is even better – working across several museums, for the wonderful Cornwall Museums Partnership. My name is Nick Collins and I’ve been here for an all-too-brief secondment from the University of Exeter as part of their Professional Pathways programme. I’ve visited museums and galleries across the county this week, and below I’m going to share my thoughts on the amazing exhibitions they’re running at the moment. There’s another theme I’d also like to share. I’ve been trying to show how we can be greener in our museum visits, and help to reduce congestion on Cornwall’s roads, which will be as busy as ever this summer. I’ve travelled to all of these exhibitions using nothing more than public transport and my trusty steed (a bicycle, not a horse). But more on that in a moment…

On Monday, I started at Penlee House to see Munnings in Cornwall, an exhibition which will take regulars there from the familiar territory of the early Newlyn School into the perhaps less familiar territory of the later Newlyn School, whilst also introducing new visitors to the beauty and humanity of this school of painting. It is that humanity which really shines through in this exhibition – perhaps ironically, given that its principle subject, Alfred Munnings, is best-known for painting horses. But, whatever the paintings, show, we have to remember that it was people who made them, and this exhibition tells those people’s stories with touching sensitivity. Often, the glimpses we get of artists’ lives are startlingly intimate. Munnings’ painting coat, palette and brushes are here, as are examples of his letters and sketchbooks and his beautiful poem to Jessica Heath. Harold Knight’s portrait of Munnings dominates the entrance to the exhibition, portraying only a few hints of the alleged tension between the two. It is one of three portraits of Munnings, another being a self-deprecating, caricatured self-portrait. Munnings’ contemporaries dominate the next two rooms, with Harold and Laura Knight, Samuel John “Lamorna” Birch, Frank Gascoigne Heath and Charles W. Simpson particularly prominent. They give us a wonderful insight into the world of the Newlyn School’s less-famous later stages.

Sir Alfred Munnings

The Lamorna Inn, 1915

Oil on canvas

Sir Alfred Munnings Museum

© Sir Alfred Munnings Museum. DACS 2019

Come Tuesday, and we made the longest trip of the week, all the way up to Bodmin (yes, by public transport!) to Cornwall’s Regimental Museum. Have a look at the video below this paragraph…

I wasn’t joking, describing music as a great morale raiser. The army has known it for centuries, a story told with great insight and originality by CRM’s Citizen Curators, in their exhibition Music, Morale and the Military. There are some fantastic objects here, including the D Day dodgers’ banjo, carried by soldiers in Italy in the Second World War in ironic reference to the derogatory nickname forced on them; and a Light Infantry Drum, which ties in very well to the rest of the museum and the superb videos which allow former members of that regiment to tell its story in their own words. The real highlights, though, are the playable 1920s piano and the new recording of the DCLI Boys Marching Song (a local song probably not heard in almost 100 years), both of which make the exhibition a fantastic place to stay for a while and enjoy the atmosphere. The exhibition was created by the Citizen Curators, a group of five volunteers who put it together over a period of several months. The programme will be running again with new volunteers from October 2019 to April 2020 across several museums in Cornwall. Have a look at the previous blog post for much more information on that.

The equivalent Citizen Curators’ exhibition at Falmouth Art Gallery has finished (until the next one!), but the spirit of community curation is alive and well in their new exhibition Stuff and Nonsense, which I saw on Wednesday. There are several pieces of community-curated art and there will be more throughout the summer. There is also the chance for every single person who walks through the door to contribute, with visitors being asked to upload photos of their own “shrines” in response to those created for the exhibition, and also to leave their own found objects alongside those in the exhibition.

The Nonsense half of this exhibition is brilliantly uplifting, featuring illustrations from Quentin Blake, Tony Ross and Edward Lear which are sure to please children and to bring out the child in the rest of us. There is even a woodblock used in the illustration of Alice in Wonderland, alongside Lewis Carrol’s diary, a real highlight. Several fantastic automata have also found their way into the exhibition. Anyone who enjoys seeing these should also make their way down to the library, housed in the same building, which features more, including an enormous example based on Mervyn Peake’s Gormenghast books.

Uplifting Nonsense

To return to the transport theme, Thursday presented an unusual challenge. Many people would see Portcurno Telegraph Museum as inaccessible by public transport, but there is in fact a bus which stops right outside it. Admittedly, the unusual challenge I mentioned was the fact that said bus broke down in St Buryan on the return journey, but I’m sure that doesn’t happen often… If the owner of St Buryan Caterers, who very kindly gave me a lift back to Penzance, is reading, thanks once again!

The Telegraph Museum itself is today perhaps more relevant than it’s ever been – as we live through our own communications revolution, it becomes ever more important to understand previous ones. At Porthcurno that story is told not only in terms of the technology (which is covered superbly through working objects and demonstrations) but the people who used and made it, whose lives are shown through their photos and possessions. The highlight is the spectacular Second World War bunker, filled with hundreds of artefacts, many of which are still working. The photo here is the escape stairs, a tunnel leading from the bunker all the way to the surface and beautiful views of the valley.

The escape stairs from the Second World War bunker at Porthcurno Telegraph Museum

I finished the week just this morning at Royal Cornwall Museum for their exhibition Eye to the Sky exhibition, which tells the story of John Couch Adams, who predicted the discovery of Neptune, through Manga. It is an incredible story, and a highly innovative way of telling it. The Manga sits alongside more traditional museum objects, including a large celestial globe and the astonishingly-restored portrait of Adams, which has been transformed from quite literally having a hole in the unfortunate astronomer’s forehead to as good as new. Bringing both of these approaches together creates something far better than either style could have achieved alone.

The addition of Cornish language adds a lovely touch to the Manga which tells the story of John Couch Adams and his fellow Cornish astronomers.

So what have I learnt this week? A lot. More than I can really say. I’ve been lucky enough to work in museums before and if this experience has been an exception it’s because it’s been even better than those other times. Museums tell us stories, entertain us and make us think, but never has it been clearer to me than it has this week that they can also change lives. From the Citizen Curators who put on such wonderful exhibitions, some of whom have gone on to continued involvement in the heritage sector, to the home-educated children who I saw taking part in a workshop in Falmouth, I have come to understand that museums are about more than probably most people realise. They harness history and the arts as a positive force for the present, and it has been an honour to see how much difference that can make.

I would like to thank the University of Exeter for their part in organising this placement and for the stimulating and enlightening training I took part in there last week. Most of all, I can’t thank the people at CMP and all of the museums in the partnership enough. I hope to see you all again sometime.

Guest Blog: Join Us in Year Two of Citizen Curators

Dr Tehmina Goskar is the Director of the Curatorial Research Centre and leads Cornwall Museums Partnership’s Citizen Curators programme. We are delighted that Tehmina has kindly written this blog to answer a few FAQs  for anyone who is interested in taking part in the programme.

We have just completed a successful Year One of the Esmée Fairbairn Collections Fund supported Citizen Curators programme. 29 participants who joined as volunteers at their chosen museum successfully completed the programme and received a certificate for their accomplishment.

If you are interested in taking part in Year Two of Citizen Curators, here are some of your questions answered.

Two of the Citizen Curators examining some of Penlee House Gallery and Museum's collection in the object handling session.

 

What is Citizen Curators?

Citizen Curators is a free work-based training programme in museum awareness and modern curatorial practice aimed at volunteers from our community. The programme is provided by Cornwall Museums Partnership in collaboration with seven museums. It is funded for three years by the Esmée Fairbairn Collections Fund administered by the Museums Association. The Programme Leader is Dr. Tehmina Goskar, Curator & Director of the Curatorial Research Centre.

 

When and where does it take place?

The Citizen Curators course takes place between October 2019 – April 2020. Seven Cornish museums are taking part in the programme: Cornwall’s Regimental Museum, Bodmin, Wheal Martyn Clay Works, near St Austell, Royal Cornwall Museum, Truro, Falmouth Art Gallery, Museum of Cornish Life, Helston, Penlee House Gallery and Museum, Penzance and Telegraph Museum Porthcurno.

 

How many places are there?

Each museum has five places. Each year there will be approximately 35 volunteers undertaking the Citizen Curators course.

 

What experience and qualifications do I need?

None. Just a thirst for learning, the ability to demonstrate your curiosity, and be willing to find things out for yourself. You should be able to commit the time needed to make the most of this opportunity. We encourage you bring and to talk about your existing skills and previous experience.

 

A Citizen Curator creating music by hitting a silver plate with a spoon during the interpretation session.

 

How much time do I have to spend on the programme?

You must attend the six core sessions: collections, communities, research, interpretation, communication and curating the Cornish National Collection. These will take place on a monthly basis from October. They will take place in one of the museums in your group. That means about one full day per month. In addition, you will be working on researching and creating content about the collections in your museum. This might be according to a brief set by the museum or it might be on something your group thinks is important. You can expect to commit to between 4 hours to 1 day per fortnight on this. You are welcome to volunteer more hours but this is entirely down to you and your museum. There are also optional opportunities such as field trips and discussion events you will be invited to take part in.

 

What kinds of things will interest me?

Museum collections contain a wealth of untapped knowledge, stories, and ideas from political events and abstract art to family history and science. Our museums are waiting for you to help them share that knowledge with different people. If you get excited by new discoveries, finding something out or asking probing questions then Citizen Curators is for you. The course will teach you how to curate thoughtfully and meaningfully. It will help you to see the relationship between knowledge creation and communication and you will gain a whole set of specific skills as a result.

This year the cohort will be invited to research collections to highlight new stories, particularly those of under-represented people and subjects. This will also include getting involved in the creation of a Cornish National Collection that will reflect the diversity of Cornish society past and present, while also highlighting our distinctive culture.

 

Two Citizen Curators learn how to

 

What do I need to do to sign up?

The seven participating museums are beginning to look for their next candidates. In the first instance, check out their websites and get in touch with the museum that most appeals to you. In due course, they will send you a questionnaire to complete and we will take it from there.

You can contact the museums participating in Citizen Curators by clicking the links below:

Cornwall’s Regimental Museum 

Falmouth Art Gallery

Museum of Cornish Life, Helston

Penlee House Gallery and Museum

Royal Cornwall Museum

Telegraph Museum Porthcurno

Wheal Martyn

 

Dr Tehmina Goskar
Director, Curatorial Research Centre

Cornish Object of the Year Award 2019

In March, Cornwall Museums Partnership and SW Museum Development hosted the annual Cornwall Heritage Awards to celebrate and champion the amazing work that’s taking place across museums in Cornwall.

In our final blog looking back at this year’s awards, we take a shine a light on the Cornish Object of the Year Award. This category was open to public vote and showcased some of the magnificent objects in museum collections across Cornwall.

Winner – Cornish Object of Year Award
The Gurney Stove – The Castle Heritage Centre Bude

 

The Castle Heritage Centre, Bude, collecting the award for winning Cornish Object of the Year 2019.

 

The Gurney Stove – located at The Castle Heritage Centre, Bude – was one of the most successful inventions of Cornishman Sir Goldsworthy Gurney. A forerunner to the modern radiator, the stove had a unique design, resting in a trough of water that transmitted heat as it evaporated. The Gurney Stove heated over 10,000 churches, schools, and government buildings across the country including St. Paul’s Cathedral. There are still some working examples in cathedrals at Chester, Hereford and Tewkesbury.

Click here to watch the Cornish Object of the Year vlog featuring the Gurney Stove.

 

Highly Commended – Cornish Object of the Year Award

 

 

The Bethlehem Pasty – Museum of Cornish Life, Helston

 

The Bethlehem Pasty – located at the Museum of Cornish Life, Helston – was carved from stone by William (Bill) Jewell in Bethlehem in 1943, when he was feeling homesick for Cornwall during WWII. Bill kept his handmade memento throughout his life. Bill’s family chose to donate the pasty along with photos, medals, and archive documents to the museum to keep his story going.

Click here to watch the Cornish Object of the Year vlog featuring the Bethlehem Pasty.

Museum staff holding the Bethlehem Pasty and an old picture of the maker Mr Jewell

 

Cornish Miner’s Sweetheart Jewellery – Cornish Global Migration Programme

 

The Cornish Miner’s Sweetheart Jewellery – located at Cornish Global Migration Programme in Redruth – is a symbol of the ‘Great Cornish Diaspora’ where many Cornish men went to follow the lure of riches in gold rushes across the globe. Many sent home money made from their endeavours to support their extended families in Cornwall. The more successful migrants would send home artefacts such as jewellery.

Click here to watch the Cornish Object of the Year vlog featuring the Cornish Miner’s Sweetheart Jewellery.

 

 

The Penzance Market Cross – Penlee House Gallery and Museum

 

The Penzance Market Cross is a treasure of the town. Over 1000 years old, standing 7ft tall and weighing almost a ton, it is carved from a single slab of local granite. It currently sits outside Penlee House Gallery and Museum, the latest of seven locations around the town. In earlier times, the cross had inscriptions on all four sides, but centuries of weathering and erosion mean that these designs are now hard to make out.

Click here to watch the Cornish Object of the Year vlog featuring the Penzance Market Cross.

 

 

St. Mary’s Church Clock Hand – Old Guildhall Museum and Gaol, Looe

 

The St. Mary’s Church Clock hand – located at The Old Guildhall Museum and Gaol – is from one of only two single-handed clocks found in Cornwall. Dating from the 1700s, St Mary’s Church in East Looe is a well-known landmark just a few metres from the beach. The clock on the church tower was made by John Belling of Bodmin, whose family later went into making domestic goods such as the “Baby Belling” cooker.

Click here to watch the Cornish Object of the Year vlog featuring St. Marys Church Clock Hand.

 

 

‘Spirit of Ecstasy’ Hood Ornament and Mould – Wheal Martyn

 

This example of Rolls Royce’s automotive icon is located at Wheal Martyn Clay Works and represents the enduring relationship between Cornish clay and the aerospace industry. Developed in Cornwall in the 1930s, Molochite from which the mould is constructed, would become an important element in the casting of turbines blades for jet engines. Due to this Rolls Royce would become one of Cornwall’s china clay industry’s most prestigious customers.

Click here to watch the Cornish Object of the Year vlog featuring the ‘Spirit of Ecstasy’ Hood Ornament and Mould.

 

Audience Initiative Award 2019

In March, Cornwall Museums Partnership and South West Museum Development hosted the annual Cornwall Heritage Awards to celebrate and champion the amazing work that’s taking place across museums and heritage organisations in Cornwall.

This week we are showcasing the Audience Initiative Award category, which highlights successful projects that reach and attract new audiences for heritage.

Audience Initiative Award – Winner (Larger Organisation)
Royal Cornwall Museum: RCM x Truro Foodbank Pilot Scheme

 

Royal Cornwall Museum, winners of the Audience Initiative Award.

 

Following a conversation with a volunteer, Royal Cornwall Museum approached Truro Foodbank with the suggestion of including free-entry passes with food parcels over the summer holiday period. It was felt that those who might benefit most from the museum’s family-focused activities over the summer holidays were potentially being excluded by the entrance fee. The trial saw 80 passes handed out with a staggering 90% take-up rate, far surpassing expectations and delighting museum staff. The scheme gained local and national press coverage, leading to similar trials popping up across the UK.

 

A photograph of a foodbank and a culture pass from Royal Cornwall Museum

 

Audience Initiative Award – Winner (Smaller Organisation)
St. Cubert Church: Sacred Land, Saints and Sand

 

A photograph of St Cubert Church with their Audience Initiative Award.

 

Aiming to engage with new audiences who may not have visited before, St. Cubert Church ran a series of free workshops exploring some of the skills that feature in the church architecture, including stained glass and stone carving. The art workshops encouraged hands-on interaction with the heritage of the space, a chance to have some quiet time and to learn a new skill. Examples from the workshops also formed the basis of a handling box that was taken out for sessions in memory cafes and care homes, facilitating a church experience for those less able to access the space. The feedback from these sessions found that the participants enjoyed the interaction and generally felt happier afterwards.

 

Photograph of a person carving a pattern out of sandstone.

 

Audience Initiative Award – Highly Commended (Larger Organisations)

 

Cornwall's Regimental Museum and Museum of Cornish Life collecting their certificates.

 

Museum of Cornish Life, Helston: Can We Really Fit It In?

 

Spotting that the story of RNAS Culdrose in Helston was missing from the Museum of Cornish Life, a volunteer who also worked at the naval base, wondered if she could help fill that gap by creating a small display of archive material. After developing the relationship with RNAS Culdrose, the exhibition grew from a small display to a large temporary exhibition which included the tail-end of a Sea Hawk helicopter. The exhibition brought in a new audience to the museum, recognising the importance of the naval base to the history of Helston and Cornwall.

 

Screenshot of a helicopter tailwing being positioned in the Museum of Cornish Life, Helston.

 

Cornwall’s Regimental Museum: Fun Palaces Bodmin

 

In 2018, Cornwall’s Regimental Museum took part in the Fun Palaces campaign for cultural democracy. Fun Palaces are free events for everyone, encouraging everyone to be a scientist and everyone to be an artist. Working with six other organisations across Bodmin, they created a town-wide Fun Palace for a weekend packed full of action. It was the first time that the museum had got involved with activities that encouraged audiences to travel across the town. The pebble hunt was a real success and many visitors were arriving at the museum and asking for their stamp to show how many Fun Palaces across Bodmin they had visited. The Fun Palaces resulted in the largest number of visitors to the museum in a single day ever.

 

A photograph of a child and their grandfather at Fun Palaces in Bodmin.

 

Audience Initiative Award – Highly Commended (Smaller Organisations)

 

A photograph of the smaller organisations collecting their Audience Initiative Award certificates.

 

Fowey Museum: In Search of Tywardreath

 

Inspired by the memory of a local resident with a passion for heritage, Fowey Museum embarked on locating the site of an ancient Priory, situated somewhere in Tywardreath. What started with tea and chat sessions for older people, recording memories and oral histories, rapidly became more inclusive. A broader range of activities shared learning with the community and involved more people in the discovery of their heritage. Working with the Cornwall Archaeology Unit, the museum organised supervised community digs, test pits in private gardens, family open days with identification of finds, and staged exhibitions in community venues. The project reached over 800 people and provided a reason for many people who would normally be facing issues of rural isolation, to come together and make a meaningful contribution within their community.

 

A group of people excavating with Fowey Museum

 

Mevagissey Museum: Secondary School Collaboration

 

When contacted by a local secondary school student asking for support in his community work, Mevagissey Museum jumped at the chance of mentoring the student. The museum attended the school’s careers evening to promote the various roles and volunteering opportunities at the museum. They also showed a film of the Restoration of a Mevagissey Sunday School banner and the Walk With Me app, to highlight the fact that although the artefacts are old, the museum is in the 21st century. The project has helped build a relationship with the local secondary school, with the aim to inspire young people to become interested in heritage.

 

Innovation Award 2019

In March, Cornwall Museums Partnership and SW Museum Development hosted the annual Cornwall Heritage Awards to celebrate and champion the amazing work that’s taking place across museums in Cornwall.

This week we are looking at the Innovation Award, which highlights projects or initiatives that have made an organisation more resilient.

We would like to thank PH Media for sponsoring this award.

PH Media logo

 

Innovation Award – Winner (Larger Organisation)
Wheal Martyn: Clay Stories

 

A photograph of Wheal Martyn, winners of the Innovation Award.

 

Every two months the staff pick at Wheal Martyn pick a theme to be represented across all aspects of the museum. These ‘Clay Stories’ are shared on social media, installations are shown in the atrium, and a range of themed children’s activities are created. A particularly successful theme was ‘The Kettle Kid’ over the summer in 2018. This theme included an interactive trail, children’s workshops, and a special Kettle Kid café menu. The different themes have proved very popular, gaining coverage from ITV News and BBC Radio Cornwall.

 

 

Innovation Award – Winner (Smaller Organisation)
Old Guildhall Museum and Gaol, Looe: Kids Take Over the Museum

 

Old Guildhall Museum, winners of the Innovation Award.

 

Last year, the Old Guildhall Museum and Gaol in Looe took part in the national Kids in Museums’ Takeover Day. As part of the event, staff from the museum went to Looe Primary Academy to talk to pupils about how the museum is run. After researching their different jobs, the children then took on the roles of stewards, marketing, front of house, artists, managers, education officers, and curators for the day. The event was a big success. The museum volunteers have learned a lot about engaging with different audiences, and many of the children wanted to help at the museum again.

 

School children taking part in the Kids Takeover Day at the Old Guildhall Museum and Gaol, Looe

 

Innovation Award – Highly Commended (Larger Organisations)

 

A photograph of Museum of Cornish Life and Cornwall's Regimental Museum, highly commended for the Innovation Award.

 

Cornwall’s Regimental Museum: Museum Late by the Young Curators

 

The Young Curators are a group of 16 – 18 year-olds who meet weekly at Cornwall’s Regimental Museum. As part of the Kids in Museums’ Takeover Day, they created, planned and delivered a Museum Late. With the theme ‘India: Empire and Influence’ they explored new ways of talking about the controversial subject of British rule in India. Creating an exhibition of previously unseen photographs from the collection, a series of talks examining the objects, and an escape room experience based on the Viceroy’s office.

 

 

Museum of Cornish Life, Helston: Becoming the Museum of Cornish Life

 

Staff, trustees, and volunteers were all involved in rebranding the museum to better reflect who they are, and what visitors will experience at the museum – a glimpse of social history and industrial life on the Lizard Peninsula. They now have a strong visual identity and a clear brand including a new website, leaflet, signage and a new set of photographic images.

Museum of Cornish Life logo

 

Innovation Award – Highly Commended (Smaller Organisations)

 

photograph of The Castle, Bude and Perranzabuloe Museum, highly commended for the Innovation Award

 

The Castle Heritage Centre, Bude: Temporary Exhibition Space for National Loans

 

A ‘Ready to Borrow’ grant enabled the Castle Heritage Centre in Bude to renovate an existing gallery to become a new temporary exhibition area. The renovation included new showcases, improved security, and temperature/humidity monitoring.  The museum is now able to showcase significant objects from major museums, with the aim of getting some of Bude’s important artefacts back to the town. The new temporary exhibition space has also increased the number of local visitors to the heritage centre.

 

 

Perranzabuloe Museum: ‘Memory and Now’ Perranzabuloe Scrapbook Project

 

Working with local artist Felicity Tattersall, Perranzabuloe Museum has built a new relationship with a local art and wellbeing group. Through workshops, they created artwork to go into a new scrapbook inspired by a historic 19th century scrapbook held in their collection. The scrapbook has opened up a different way of looking at history, focusing on the idea that ‘we are the history’. The scrapbook has some empty pages in the hope of further collaborations with other groups in the future.

 

Images from Perranzabuloe Museum's Memory and Now Scrapbook project.