Spotlight on: Nikita Brown from Wheal Martyn Clay Works

In the latest installment of our ‘Spotlight on’ blog posts, we hear from Nikita Brown, Exhibition and Engagement Officer at Wheal Martyn Clay Works near St. Austell, about the importance of accessibility in museums.

I believe that museums should act as community hubs, where all members of the community feel confident and safe to voice their opinions and take ownership of the museum and its collections. Improving accessibility is one way I can ensure that all visitors feel welcome at Wheal Martyn and have a fantastic museum experience.

So, what have we been doing at Wheal Martyn?

As Exhibition and Engagement Officer, my first priority was to improve the overall access to the museum for a general visit. Making small changes to the museum has allowed staff to work with more community groups and enhance the visitor experience for those with additional needs, whether this is creating visual stories for people with autism and anxiety, or simply changing how a gate opens to make it more wheelchair accessible.

At Wheal Martyn we have been working with partner organisations to seek expert advice and ensure our accessible information is easy to use. We are fortunate to be one of around twenty heritage destinations taking part in Heritage Ability’s, Heritage Lottery Funded project, which looks to improve accessibility and inclusivity in historical sites. Working in partnership with Heritage Ability, the museum now has a new Easy Read Guide making the site’s information easy to understand for those with learning difficulties, as well as a digital British Sign Language (BSL) tour of the site which can be viewed on YouTube or via a tablet at the museum.

I also received training from Heritage Ability on disability and deaf awareness which I have been able to replicate with other museum staff. We are fortunate to have fantastic, friendly staff at Wheal Martyn who are always willing to go above and beyond to improve visitor’s experience. The training has equipped them with relevant knowledge about how best to help all visitors, regardless of disability or need. It also highlighted the benefits of making small adaptations, such as having hearing loops, which we purchased two of to go in the reception and café.

Becoming an autism-friendly museum

I’m passionate about making attractions and historical sites more autism-friendly, so this was another one of my top priorities when I started working at Wheal Martyn. I started by creating two visual stories of the museum. Visual stories use images and words to show visitors with autism the layout of the museum and what to expect before visiting. An example being how the café can sometimes be busy and have strong smells. Visual stories are really easy to do, so I would encourage all historical sites to give it a go. Once I had finished the visual stories, I then had them checked by Spectrum, who specialise in Autistic Spectrum Disorders, to make sure they were useful for this group of people. I would really recommend seeking expert opinion where possible, as their advice was incredibly helpful and even though I was often on the right lines, it was great to get this confirmed by professionals.

With guidance from Spectrum, I created a quiet space at Wheal Martyn with comfy sofas and bean bags to allow people an area to chill out, if the museum gets too overwhelming for them. Visitors with sensory disorders can also use our sensory backpack, which includes ear defenders, fiddle toys and a sensory game. It’s great to see these bags being used around the site and we have received a lot of positive feedback from our visitors who have enjoyed using them.

A picture of Wheal Martyn's autism-friendly sensory bag.

In March 2019, Wheal Martyn held its first relaxed opening session which allows families to explore the museum at a quieter pace. Although only a few families attended the first session, the impact the session had on one of the families was huge. It gave them the confidence to return to Wheal Martyn with their extended family during the Easter holidays, giving them an opportunity to enjoy being together as a family.  The relaxed sessions take place every quarter, with our next sessions taking place on Saturday 19 October and Saturday 18 January.

Encouraging social group meetings at the museum

With help from our fantastic, committed volunteers, we have started running two new social prescribing groups held at the museum. Arts and Craft for Health which runs every Tuesday morning and a Sensory Garden group which will launch in September. Both groups aim to give those struggling with mental illness or other long term health conditions, the opportunity to develop their confidence and skills in a safe and friendly environment.

The Arts and Craft group consists of participants bringing along their own craft which they would like to work on during the sessions and they have the option of asking the coordinator for help and advice. What I have personally enjoyed witnessing is the participants sharing their craft skills with each other. I am always amazed at how caring and supportive these groups are and I have definitely learned lots of new craft skills from the participants myself!

People taking park in Wheal Martyn's Arts and Crafts for Health group activities.

We have artists regularly holding specialised workshops with the participants, so they have the opportunity to learn a new skill and explore the museum in a new way. Recently, the group has taken part in a sound workshop with artist Justin Wiggan and have even made their own bricks with the Brickfields project (a Whitegold initiative). As Wheal Martyn has an extensive brick collection, it was great to explore these stories in a new way with the participants and everyone was pleased with their brick designs.

The impact the sessions have on the participants is clear to see; confidence is growing, friendships have been formed and the group is always filled with laughter and support for each other. One of the participants who hadn’t drawn since he was at school, has enjoyed the sessions so much, that he has started up his own group on a different day. We also have a Memory Café which meets every second Monday of the month for people suffering from memory loss and their carers. The group consists of a range of informal arts, crafts and reminiscence activities, as well as a nice chat and cuppa!

Looking to the future

Wheal Martyn has a lot more planned over the next few months. Whether it is working with the Sensory Trust to create a sensory map and bespoke workshops for children with additional needs, or trialing live streaming of events to make them more accessible for those who can’t get to the museum. Perhaps the most exciting has to be the opening of our new facilities in April 2020, as part of the Clay Works project which will include a new gallery for temporary exhibitions, a new learning and activity space and a new permanent exhibition on the ‘Transport of China Clay’. The new improvements will also include a lift to access the exhibition space, meaning that more areas of Wheal Martyn will become accessible for wheelchairs.

I aim to embed accessibility in all areas of my work which includes temporary exhibitions where I try to ensure that all senses are stimulated through having a range of different interactives. I think my main learning from the last year is the importance of working with partner organisations for help and advice. Everyone I have contacted has been happy to help and are incredibly passionate about making more sites accessible. If you would like any more information about the projects mentioned above, then I am more than happy to share my learning with other museums.

– Nikita Brown
Exhibition and Engagement Officer
, Wheal Martyn Clay Works
https://www.wheal-martyn.com/

Innovation Award 2019

In March, Cornwall Museums Partnership and SW Museum Development hosted the annual Cornwall Heritage Awards to celebrate and champion the amazing work that’s taking place across museums in Cornwall.

This week we are looking at the Innovation Award, which highlights projects or initiatives that have made an organisation more resilient.

We would like to thank PH Media for sponsoring this award.

PH Media logo

 

Innovation Award – Winner (Larger Organisation)
Wheal Martyn: Clay Stories

 

A photograph of Wheal Martyn, winners of the Innovation Award.

 

Every two months the staff pick at Wheal Martyn pick a theme to be represented across all aspects of the museum. These ‘Clay Stories’ are shared on social media, installations are shown in the atrium, and a range of themed children’s activities are created. A particularly successful theme was ‘The Kettle Kid’ over the summer in 2018. This theme included an interactive trail, children’s workshops, and a special Kettle Kid café menu. The different themes have proved very popular, gaining coverage from ITV News and BBC Radio Cornwall.

 

 

Innovation Award – Winner (Smaller Organisation)
Old Guildhall Museum and Gaol, Looe: Kids Take Over the Museum

 

Old Guildhall Museum, winners of the Innovation Award.

 

Last year, the Old Guildhall Museum and Gaol in Looe took part in the national Kids in Museums’ Takeover Day. As part of the event, staff from the museum went to Looe Primary Academy to talk to pupils about how the museum is run. After researching their different jobs, the children then took on the roles of stewards, marketing, front of house, artists, managers, education officers, and curators for the day. The event was a big success. The museum volunteers have learned a lot about engaging with different audiences, and many of the children wanted to help at the museum again.

 

School children taking part in the Kids Takeover Day at the Old Guildhall Museum and Gaol, Looe

 

Innovation Award – Highly Commended (Larger Organisations)

 

A photograph of Museum of Cornish Life and Cornwall's Regimental Museum, highly commended for the Innovation Award.

 

Cornwall’s Regimental Museum: Museum Late by the Young Curators

 

The Young Curators are a group of 16 – 18 year-olds who meet weekly at Cornwall’s Regimental Museum. As part of the Kids in Museums’ Takeover Day, they created, planned and delivered a Museum Late. With the theme ‘India: Empire and Influence’ they explored new ways of talking about the controversial subject of British rule in India. Creating an exhibition of previously unseen photographs from the collection, a series of talks examining the objects, and an escape room experience based on the Viceroy’s office.

 

 

Museum of Cornish Life, Helston: Becoming the Museum of Cornish Life

 

Staff, trustees, and volunteers were all involved in rebranding the museum to better reflect who they are, and what visitors will experience at the museum – a glimpse of social history and industrial life on the Lizard Peninsula. They now have a strong visual identity and a clear brand including a new website, leaflet, signage and a new set of photographic images.

Museum of Cornish Life logo

 

Innovation Award – Highly Commended (Smaller Organisations)

 

photograph of The Castle, Bude and Perranzabuloe Museum, highly commended for the Innovation Award

 

The Castle Heritage Centre, Bude: Temporary Exhibition Space for National Loans

 

A ‘Ready to Borrow’ grant enabled the Castle Heritage Centre in Bude to renovate an existing gallery to become a new temporary exhibition area. The renovation included new showcases, improved security, and temperature/humidity monitoring.  The museum is now able to showcase significant objects from major museums, with the aim of getting some of Bude’s important artefacts back to the town. The new temporary exhibition space has also increased the number of local visitors to the heritage centre.

 

 

Perranzabuloe Museum: ‘Memory and Now’ Perranzabuloe Scrapbook Project

 

Working with local artist Felicity Tattersall, Perranzabuloe Museum has built a new relationship with a local art and wellbeing group. Through workshops, they created artwork to go into a new scrapbook inspired by a historic 19th century scrapbook held in their collection. The scrapbook has opened up a different way of looking at history, focusing on the idea that ‘we are the history’. The scrapbook has some empty pages in the hope of further collaborations with other groups in the future.

 

Images from Perranzabuloe Museum's Memory and Now Scrapbook project.

Spotlight on: Citizen Curators at Wheal Martyn

In this blog we catch up with the Citizen Curator team at Wheal Martyn Clay Works about their experiences of the Citizen Curator programme and their new free exhibition ‘Engineering the Earth’.

The exhibition has been put together by Wheal Martyn’s three volunteer Citizen Curators: Carol Weir, Simon Dunham and Imogen Law, who have been mentored by Nikita Brown Wheal Martyn’s Exhibitions and Engagement Officer. Their showcase investigates the role of science and engineering in the china clay industry, particularly looking at the paper-making industry, the use of kaolin (a type of clay found near St. Austell) in cosmetics, and a local engineer – topics which represent the breadth and depth of this vast theme.

The Citizen Curators are encouraging visitors to get involved with the exhibition by guessing the items in the mystery cabinet, sharing knowledge of paper-making industry workers in Cornwall, and checking the ingredients on their cosmetics to see if they contain kaolin, even experts might learn something new!

One of the exhibition cabinets showcasing the paper-making industry.

The Citizen Curator group says, “We hope this exhibition inspires you to also take an interest in museum collections and perhaps volunteer for the next Citizen Curators course.”

Wheal Martyn is one of seven museums across Cornwall participating in the Citizen Curators programme. This programme aims to encourage a more active interest in the collections cared for on behalf of the public and involve people from the local community. The three-year project, led by Dr Tehmina Goskar of the Curatorial Research Centre, is supported by the Esmée Fairbairn Collections Fund, administered by the Museums Association, and is part of Wheal Martyn’s Arts Council England supported partnership programme led by Cornwall Museums Partnership.

Tehmina says, “Citizen Curators is all about unearthing the hidden joys of our historical collections so that more people can learn something new from them. That’s exactly what the Wheal Martyn team are doing through their research and this exhibition. We feel very privileged to have supported their journey.”

 

Some of the photographs in the Wheal Martyn collection about the local engineers.

The Citizen Curators say, “We have enjoyed the opportunity Wheal Martyn and the Citizen Curators project have given us, from exploring the other museums and galleries of Cornwall to the discussions and activities we worked on in the classes. Our volunteering has not only given us a glimpse behind the scenes of Wheal Martyn and its dedicated staff but also taught us much about the local area.”

A showcase about the use of kaolin clay (found locally in St. Austell) in the cosmetic industry.

‘Engineering the Earth’ runs from 6th April – 11th October in Wheal Martyn’s Atrium. Find out more about the exhibition and get updates on Wheal Martyn’s social media: Facebook @whealmartyncw, Twitter @WhealMartyn, and Instagram @whealmartyn. If you have any information on the objects in the exhibition you can join in on social media using the hashtags #citizencurators #stawesome #whealmartyn. You can also follow the Curatorial Research Centre on Twitter @CuratorialRC.

Cornish Object of the Year Award 2019 Vlog 2 – ‘Spirit of Ecstasy’ Hood Ornament and Mould

In the run up to the Cornwall Heritage Awards, 21 March, I have been visiting each of the shortlisted objects nominated for Cornish Object of the Year Award 2019 to hear from the staff and volunteers about the amazing stories behind the objects.

In this vlog I speak to Si Durrant, Trainee Curator at Wheal Martyn Clay Works, to hear about their object the ‘Spirit of Ecstasy’ Hood Ornament and Mould.

I have always been fascinated by the industrial heritage of Cornwall and the many different links that Cornwall has to industry all around the world. The story of this Rolls Royce icon and its accompanying Molochite mould is another great example, with Cornish clay (forming the Molochite mould) being influential in the present day aviation industry.

The Cornish Object of the Year Award 2019 is open to public vote, vote for your favourite object here.

Voting closes Midnight 12 Feb.
The winner will be announced at the Cornwall Heritage Awards, 21 March 2019.

The next vlog will feature Penlee House Gallery.

– Peter Lower, Marketing and Events Intern

 

 

 

Spotlight on: Si Durrant, Trainee Curator at Wheal Martyn Clay Works

We catch up with Si Durrant at Wheal Martyn, one of the Trainee Curators supported by Cornwall Museums Partnership’s NPO programme, to talk about his showcase ‘Clay Stories: unearthing stories from our villages and towns’.

“I am now halfway through my placement as Wheal Martyn’s Trainee Curator. My role at Wheal Martyn primarily involves assisting Jo (Curator) and Nikita (Exhibition and Engagement Officer) with unlocking stories from the collection and archives held at Wheal Martyn. As a Trainee Curator, I have been gaining valuable on-the-job experience and attending training sessions at partner museums across Cornwall. I have already seen great variety in the role of a museum Curator. This has included an introduction to museum accreditation, health and safety training, record keeping, working with schools, collections handling, collections hazards, digitising negatives and, more recently, combining these new skills to curate my first ever showcase exhibition.”

“‘Clay Stories: unearthing stories from our villages and towns’, features a selection of curios from the St. Austell china clay area, with each display telling a unique community story from the last 200 years. Village shops, sports, housing, clothing, forgotten trades, industry, and the impact of two World Wars are represented in the extensive collection.”

“The theme of the showcase is stories from our villages and towns. The majority of our collection focuses on the industrial heritage of the china clay industry; however, buried within these c.10,000 items are certain objects that hold hidden stories about a specific area of the local community. For example, our Rolls Royce figurine and mould represents the relationship between the village of St. Dennis and the Aerospace Industry. In fact, this item has just been nominated for an award – Cornish Object of the Year 2019.”

“My research for the showcase began with a map of the St. Austell china clay district – an area which is bounded by St. Austell Bay in the south and the A390 to the north. This map revealed over 50 villages and hamlets that were in close proximity to clay workings. Once I had a list of villages, I was able to search our onsite database for relevant objects, documents, photographs and film. Over the course of several weeks I was able to shortlist these items and then research the stories behind them. Finally, these stories were condensed into a display in the museum atrium and weekly social media posts.”

“I have really enjoyed the huge variety this internship has offered me and greatly look forward to the next three months.”

Colin Vallance, Director of Wheal Martyn says, “It’s been fantastic to have Si as part of the team, uncovering some of the many stories that are hidden within our museum collection and sharing these with our local communities and visitors. Si’s internship is part funded by the European Social Fund, Arts Council England and Cornwall Council, as part of a Cornwall Museums Partnership NPO programme and we are very grateful for their support.”

‘Clay Stories: unearthing stories from our villages and towns’ is free to enter and runs until the end of February 2019. The showcase coincides with Wheal Martyn’s Cornwall Residents’ Pass Offer; for 12 months, admission passes are available at a reduced price of just £6.50 for an adult ticket.

Wheal Martyn would like to encourage visitors during January and February to discover some of these fascinating stories linked to local villages and towns. If you are inspired to share stories from your own village, pop into the museum, email info@wheal-martyn.com or share them on Facebook (@whealmartyncw).

For more information about the Cornish Object of the Year Award 2019 and to vote click here.

Pit Paper Porcelain Performance Raises the Roof

On the evening of the 4th of December, the Atrium and Café at Wheal Martyn were packed with a bustling crowd, keenly anticipating the start of the performance of the Pit Paper Porcelain production. Nervous children took to their places and cleared their throats in preparation to stun the crowd. After months of work, the time had finally come for the performance!
The evening was a celebration of the work done over a 3 month community project at Wheal Martyn with 98 young people from Roche School, Treverbyn Academy, Brannel School and Kernow Young Carers – young people who have a caring role. The project was delivered in partnership with KEAP Kernow Education Arts Partnership and CMEH Cornwall Music Education Hub.
The overarching aim of Wheal Martyn’s Pit Paper Porcelain programme was to support literacy and creative writing through the arts. The partnership aimed to inspire both teachers and children; to bring new ways of working with words; to bring professional writers and musicians into schools and to give the children a reason to write and an audience for their work.
Early in the autumn, the schools and groups visited Wheal Martyn and experienced the beauty of the unique setting. With workshops led by the Education Officer, Gemma Martin, and a professional writer, Becca Gregson, the young people explored the woods, peered into the magnificent Pit View and absorbed the atmospheric Victorian clay works. Carefully crafted activities encouraged the young people to develop skills and techniques in creative writing, leading their reader on a fabulous journey into the nooks and crannies of Wheal Martyn.
Through follow up workshops with CMEH musicians Emma Mansfield, Matt Douglas and Rob Moule, the groups used their pieces of creative writing to collaboratively craft a song inspired by their experiences at Wheal Martyn.
The performance raised the roof at Wheal Martyn with a superb evening of spoken word and song. Amanda Harris, Director of KEAP, commented “It was a delightful event and an absolute triumph! The quality of the writing, the composition and performance was just terrific as well as the reaction from parents and teachers, who were delighted. It was really apparent how much the children had taken ownership of their work and felt proud and confident to share.”
Gemma Martin, Education Officer, added ‘it has been a fantastic experience for the young people here tonight. They have grown hugely in confidence through the project, crafting their own fabulous stories into a dazzling performance piece, and knocking the socks off the audience with the sung performance. It just shows how inspiring the local heritage of the Clay Country and Wheal Martyn can be!’
The Wheal Martyn project was funded through Arts Council England and the Cornwall Museums Partnership; Cornwall Community Foundation’s Duchy Benevolent Fund and the kind support of Cornwall Music Education Hub, Action for Children and Kernow Education Arts Partnership.

Gemma Martin, Education Officer, Wheal Martyn Museum

Photo credits: James Stuart

Clay Country past is preserved at Wheal Martyn

On the edge of St Austell, amongst the scenic landscape of the clay pits, sits the fascinating heritage of one of Cornwall’s major mining industries – Wheal Martyn.

The UK’s only China Clay heritage centre, Wheal Martyn is a fully preserved Victorian china clay works. Established by English China Clays as a charity in 1974, the site became an Accredited Museum in 1990, before joining forces with regional environmental and recreational Charity, South West Lakes Trust in 2010.

The site itself houses the story of Cornwall’s thriving, billion-pound China Clay industry – which still exists today. It is made up of two former Victorian Clay Works, one of which is preserved in its working state, showing where china clay was refined, dried and packed before being transported away by horse and cart and later by lorry, to nearby ports including Charlestown.

The only example of this kind, Wheal Martyn shows an insight into a period of history spanning from the 1820’s through to the 1960’s when the industry was labour intensive and physically hard. This is in stark contrast to the modern day manufacturing, which is largely mechanised and becoming more and more automated.

Wheal Martyn is not only home to a key chapter in Cornwall’s mining past, but also houses hundreds of stories from the communities, culture and traditions of clay mining, which grew around the shadows of Cornwall’s famous ‘white pyramids’.  It’s become a place for people – young and old to discover their own personal family history, as well as providing that crucial opportunity to learn about relatives who worked in the industry. It’s helping to build a picture of the past as well as a sense of pride in where we live.

Wheal Martyn has also continued to encourage its sense of community in the present with the launch of its Memory Café in 2015. The Café provides a safe and friendly environment for people suffering from dementia and memory loss. Individuals and their carers are welcomed to socialise and engage with others through talking, singing, hand-on activities or watching live performances. This provides an important role for many who are often isolated and have few other opportunities for social interaction. The special Wheal Martyn and its unique collection of artefacts, photos and stories really help to evoke memories and positive thoughts.

It’s not just about retracing footsteps and discovering the past; the site offers something for everyone of all ages. Little minds are encouraged to explore nature trails and follow maps, as well as discover vast collections of industry tools and artefacts, vintage commercial vehicles and Cornwall’s largest working water wheel.

Colin Vallance, Managing Director of Wheal Martyn explains:

“It is clear to see the strength of passion people hold for Wheal Martyn across all generations. For many the site provides opportunities, whether it’s learning new skills, making new friends, building confidence or simply enjoying themselves. This is never more apparent than through the hard work and dedication of our wonderful team of volunteers.  They are so generous at sharing their knowledge and enthusiasm to really enhance the experience of our visitors.”

2018 is another milestone year for the museum, as the team are in the process of developing an important project ‘Clay Works!’, which is enabling the preservation of some of the site’s historic buildings, ensuring their accessibility for future generations.

Subject to funding being awarded by the Heritage Lottery Fund*, the Clay Works! Project will commence in 2018 with the new facilities open by mid-2019. The project** will help provide opportunities for people of Cornwall and beyond to be inspired by our stories at Wheal Martyn.

A temporary exhibition gallery and learning space will be created as part of the project. Local people will also have the chance to work with the team to research and curate exhibitions as well as take part in a range of practical built heritage conservation skills training.

Wheal Martyn Museum is open to the public daily from 10am – 4pm and is currently offering reduced entry to anyone resident in Cornwall so that they have the opportunity to discover more about their heritage.  The Cornwall Residents Pass is available to purchase during November to February for just £6.00 per person and entitles the holder to 12 months admission. Dogs are welcome on leads and children can have fun on the adventure challenge trail through the woods or play in the play area. For more information on admissions and opening times visit their website – https://www.wheal-martyn.com.

*Thanks to National Lottery players, HLF invest money to help people across the UK explore, enjoy and protect the heritage they care about – from the archaeology under our feet to the historic parks and buildings we love, from precious memories and collections to rare wildlife. www.hlf.org.uk.

**Supported by Cornwall Museums Partnership through the Major Partner Museums programme funded by the Arts Council England.

This article was featured in the West Briton on Thursday, November 23 2017.

Dancing to the stories of clay at Wheal Martyn

On Saturday 21st October, Wheal Martyn hosted a rather spectacular dance festival.  The performance of ‘Clay’ drew quite a crowd, filling the large Atrium at Wheal Martyn.

A museum is not the obvious venue for a Community Dance Festival, but the audience were soon captivated by the dancers telling the stories of Wheal Martyn and the china clay industry through beautiful dance and movement.  The flowing shapes and choreography transformed the dancers into beautiful representations of the gushing water powering Wheal Martyn’s 35foot waterwheel, to clay, sand and mica settling out in tanks, and on through the processes to create our daily china clay products of toothpaste, paper, make up and more.  Key historical moments were depicted through spoken word and dance interpretations, enthralling the audience.

The troupe of performers came from Mevagissey School Dance Club, Doubletrees School and St Austell Home Ed Group, whilst dancers from inclusive dance groups ‘Shallal2’ and ‘Out There’ returned for the second time this year to perform their work at Wheal Martyn.

The community dance festival was in partnership with Shallal2 from Shallal Dance Theatre, an inclusive arts charity in Falmouth.  Jo Willis, Creative Director of Shallal, worked closely with Gemma Martin at Wheal Martyn.  Jo delivered dance workshops for groups in the beautiful surrounds of Wheal Martyn.  On a workshop day you might well have turned the corner at Wheal Martyn next to the Crib Hut and found a group of young people recreating the movements of the plunger pump drawing up the clay slurry from the pit!

Gemma Martin, Education Officer at Wheal Martyn, said “it has been wonderful to watch the young people develop through this project.  Their confidence to move, create shapes and work together has blossomed through the experience.  The result is a beautiful collection of dances that depict the heritage of our local Clay Country in a rather wonderful way.  They should all be very proud!”

Generous funding from Arts Council England and FEAST meant that all the workshops and the performance were free for all to enjoy, which really helped to open the doors of Wheal Martyn to new faces.  Several parents at the Festival commented on how pleased they were to be back at Wheal Martyn, and one said “I haven’t been here since I was at school myself.  I must come back here again soon!”

Arts Council England supported the project at Wheal Martyn through its investment in museums in Cornwall as part of their Major Partner Museum programme, being delivered by Cornwall Museums Partnership. FEAST is a programme to make great art happen across Cornwall. FEAST harnesses the talents and energy of Cornwall’s artists and communities, generating new opportunities for everyone to enjoy the arts. The focus is on bringing people together to share experiences as audiences or participants, and on animating local celebrations and cultural life.

A final comment from Gemma Martin following the performance was “we are really excited to see what happens next.  Working with Shallal has been fantastic, we will certainly be planning more dance for the future here at Wheal Martyn.”

  

Notes to the Editor:

Investment for FEAST comes from Arts Council England and Cornwall Council.  The programme is managed by Creative Kernow. 

Cornwall Museums Partnership exists to create a bright future for Cornwall’s heritage by supporting Cornwall’s 70 museums to thrive. 

Through its network, it fosters a culture of collaborative working to help museums and galleries create moments of wonder which enrich people’s lives.

 

Gemma Martin, Education Officer. Tel. 01726 850362

Wheal Martyn – www.wheal-martyn.com